Sunday, 20 November 2016

Blood brothers task 1 "as an actor"-with improvements


As an actor the type of character you play whether they are rich, poor, old, or young influences the way you portray them.  you will change your posture your movement and interaction. For example if you play an old person you might bend down a little to show you have a bad back, or slow down your movements. This is because we stereotype old people to be like this however in real life this is not always the case but we do this so the audience can understand what type of character we are playing.

 Edward is one of the twins In blood brothers, and he was given away and brought up by a wealthy family in "middle class" . As an actor to play Edward you would have to change your posture to be straight, so you have a straight back and stand very proud. This is because he was brought up to be like that and not stand slouched or like a less wealthy person.
   
       furthermore to play Edward the way you would interact with others would also be different. You would have to be quite snotty, and be kind at the same time. For example if he was acting with mickey he might boast about going to university and his new toys. When really he is quite oblivious to the fact not everyone gets to go to school. This is because he has always got everything he needs, so he doesn't have to know about money or what "class" your in.
 
 To act as Edward, you would have to speak very fluent, using complex words and no slang. Because he is well educated and his family are also like that. for example mickey (The less wealthy brother) might say "sup mate" because that is slang. And Edward might say "good morning nice to see you".

   Mickey is one of the twins in blood brothers he was the twin that was kept and was brought up in a "working class" family. As an actor to play mickey you would change your posture to be quite casual ,and very slouched and he might swing his arms when he walks, This is because he is not educated or brought up to a wealthy family.

   Also to play mickey when iterating with other characters like Edward, I think he would act very casual, but might be jealous of what they have and what he hasn't. I think he would of become quite self aware, because unlike Edward he is aware of social class and the world around him. He might have a job and when people say about university he might not know what that is.

      To act as mickey you could use slang or just very common words because he is not very well educated and he would probably get confused about somethings that Edward may say or talk about.
his movements might be lazy and very much  "I cant be bothered"

     I think stereotype mainly effects the way we act as certain people. This is because we use it to make the audience immediately understand the role we are acting.
targets
snotty: arrogant
speech
when mickey says "the dictionary that's the thingey aint it"
it shows that he is less educated than Edward and dose not understand what a dictionary is. However he tries to act as if he does because he doesn't want to feel worse. This line would be spoken either in a confused tone or one where he tries to explain and uses slang. During this he could slouch to show he is not wealthy or well educated and he could also use hand gestures to show he's trying to explain.

    


Monday, 7 November 2016

assessment for create


In this video i am using my leadership skills however i think that i should work on my listening skills allowing others to give more ideas. I think zak and elis should show so more contribution to the group rather than sitting at the side making sound effects. Futhermore they are using soudeffects and sound scape thought the video.

Sunday, 30 October 2016

Drama task 3- as a director-with improvements


To prepare an actor for the scene where the girl reads the letter I would use hot seating. This will help make the character in role fix there posture to suite the characters personality and to help them remember the characters back story and  characteristics. This method would also help them keep in role during performance and scene. Questions I would ask during hot seating are
- How do you feel about dark wood manor?
- Do you like the people you are with?
You could do this at least ten minutes before the scene, so they are fully in role.

Another way I would prepare an actor for there performance is practising the scene for example rehearsing lines. Sometimes using thought tracking, and stopping half way through to ask the actor how they feel and what they are doing. This would  help them fully understand how to react to everything with in the scene, whether to be happy, sad , excited, scared or shocked. this would help the audience during the performance to understand what's happening because they could just look at the actors reaction and understand what it means.

An actor needs to speak there lines clearly and loud enough for the audience to hear whilst also making sure it sounds realistic. For example if you had a scene where the actor needed to seem sad, off stage you would act with a quiet voice, whilst this would be the best way to get across your feelings this would not work on stage because the audience would not be able to hear you. so I would advise the actor to speak loudly but slowly and make noises such as sniffing etc. It will also mean you will be able to hear the voice over the sound effects and sound scape.

 Something that is really important during a play is timings. If this were to go wrong then the whole play could fall apart. It is of great importance that someone comes on to the stage when its their time to come on and that they say their lines when they need to be said. When the performance is timed correctly then it creates tension amongst the audience which leads to a better performance. This could be practiced off stage.

Actioning text is another great way to develop a performance. Actioning text is where the actors will practice and do key research and perform there scene. This will help with remembrance, creativity and developing the performance. We could use this because we are creating our own parts of the story to carry on the performance this would help us be able to create a different scene where most characters are involved. Yet the scene will still have to create tension and a story line.

I think that during the letter scene when the girl reads the letter timing is important to practice because there are two people one acting and one that has a monologue. They both have to be in time or the scene will not create tension. I think because the genre we are performing is horror it is very important to know what character you are, there are lots of different characters some scared, some upset, and some excited. the best way to get into role and really understand your character is hot seating. Hot seating will help you remember what type of character you are, your backstory and your personality.                                                                                                                                                   

overall I think the best technique to use when preparing for a performance is hot seating, because this will help the actor though out the performance. 
              
  

Sunday, 16 October 2016

Drama task 3- as a director


To prepare an actor for the scene where the girl reads the letter I would use hot seating. This will help make the character in role fix there posture to suite the characters personality and to help them remember the characters back story and  characteristics. This method would also help them keep in role during performance and scene. Questions I would ask during hot seating are
- How do you feel about dark wood manor?
- Do you like the people you are with?
You could do this at least ten minutes before the scene, so they are fully in role.

Another way I would prepare an actor for there performance is practising the scene for example rehearsing lines. Sometimes using thought tracking, and stopping half way through to ask the actor how they feel and what they are doing. This would  help them fully understand how to react to everything with in the scene, whether to be happy, sad , excited, scared or shocked. this would help the audience during the performance to understand what's happening because they could just look at the actors reaction and understand what it means.

An actor needs to speak there lines clearly and loud enough for the audience to hear whilst also making sure it sounds realistic. For example if you had a scene where the actor needed to seem sad, off stage you would act with a quiet voice, whilst this would be the best way to get across your feelings this would not work on stage because the audience would not be able to hear you. so I would advise the actor to speak loudly but slowly and make noises such as sniffing etc. It will also mean you will be able to hear the voice over the sound effects and sound scape.

 Something that is really important during a play is timings. If this were to go wrong then the whole play could fall apart. It is of great importance that someone comes on to the stage when its their time to come on and that they say their lines when they need to be said. When the performance is timed correctly then it creates tension amongst the audience which leads to a better performance. This could be practiced off stage.

overall I think the best technique to use when preparing for a performance is hot seating, because this will help the actor though out the performance.